THEATRE PROGRAM FORM : (REGULAR /WEEKEND)
Every individual has their own unique style of carrying their body or playing expressions.It is very important to train actors helping them retain their own style and originality.At Swatantra Theatre we will have a mixed blend of practical and theoritical knowledge of acting and its techniques.
Director & Trainer Abhijeet Choudhary says
This Theatre program is not just a mere training of techniques.We will start with basic regional form of theatre/acting and art popularly known as folk art. Every artist must know the folk theatre where we inculcate our traditionaland culture form, because India presents a colourful assortment of folk theatre like Nautanki, tamasha, jatra, yakshagana,this helps immensely since the actors frequently converse with the audience in the course of the play.The stage is often a huge empty space where actors deftly manipulate with their dialogues and gestures.Loud music, dance, elaborated use of make up, masks and singing chorus are its hallmarks.These kind of plays provide a valuable insight into the local dialect, dress, attitude, humour, and wit of the regions.
All this can give a deep insight and broaden a way of looking to the form of acting.It can prove a strong base.
Adding to this we have designed the workshop to cover the following different aspects of learning Acting.
Along with that; sessions on Natyashastra, Method Acting forms will also be conducted.
Work extensively on:
Acting involves two forms of communication intrascenic (communication between characters) and extrascenic (communication between the characters and the audience) aspects of both the forms ofcommunication will be a major workout here.
Aspirants can explore both the forms of acting with understanding the basic to advanced techniques.
Abhijeet Choudhary will conduct sessions on the line expressing text by techniques of stage and body work.
Dhanashree Heblikar will develop new ways how to apply the principals of on stage to the work with text using each dialogue as a weapon.
Participants not only undergo training but also perform in a Swatantra Theatre Production.
Because only training does not complete it, a practical experience is also important.
ACTING IS NOT FUN ....
"Theatre makes you A Serious, Self-Controlled Actor"
The moduls which we cover:
Assignments ,that will include:-
and/or
After the training you will find these improvements in you..!!!
Improved vocal quality and resonance
Tap into creativity and imagination
Unleashed natural performing abilities
Tackle your fear of getting up in front of others
Sharpened listening skills
Spontaneous thinking on feet
Research & Build Your Character
Exposure and Publicity
PROCESS OF ACTORS
Professional theatre syllabus is typically designed for individuals
who are pursuing a career in the performing arts or Acting.
Swatantra theatre's syllabus for professional training:
Acting Technique :
Introduction to various acting methods and techniques (e.g., Stanislavski, Meisner, Chekhov).
Physical and vocal warm-up exercises.
Character development and analysis.
Scene study and monologue work.
Emphasis on emotional authenticity, truthfulness, and believability in performance.
Voice and Speech:
Vocal exercises to develop resonance, projection, and clarity.
Speech exercises for articulation, diction, and dialects.
Breath control and vocal support techniques.
Text analysis and interpretation for spoken word and dramatic texts.
Accent and diction :are crucial aspects of an actor's performance, as they directly impact the clarity,
believability, and authenticity of their portrayal. Here's why accent and diction are important for actors:
Nuances : are subtle but important elements of an actor's performance that add depth, complexity, and
authenticity to their portrayal of a character. Here are some key nuances for actors to consider:
Body Movement and Physical Theatre:
Movement exercises for body awareness, alignment, and expressiveness.
Techniques for creating physical characters and telling stories through movement.
Choreography and stage combat training.
Exploration of various movement styles.
Dramaturgy (Natya Shastra) and Script Analysis :
Analysis of dramatic texts, including structure, themes, and character arcs.
Study of dramatic theory and dramatic literature.
Research and interpretation of historical and cultural contexts.
Collaborative work with directors, designers, and fellow actors in script development.
Stagecraft and Technical Skills:
Introduction to stagecraft elements (e.g., lighting, sound, set design).
Basic technical skills for stage management, prop handling, and costume management.
Collaboration with technical crews and designers.
Understanding of backstage protocols and safety procedures.
Performance Opportunities:
Participation in rehearsals and performances of full-scale productions.
Showcase opportunities for scenes, monologues, or original work.
Collaboration with other professionals in the industry (actors, directors, designers, etc.).
Feedback and evaluation from instructors and peers.
Continued Study and Exploration:
Encouragement to continue learning and growing as an artist beyond the formal training program.
Resources for further study (e.g., workshops, masterclasses, additional coursework).
Opportunities to explore specialized areas of interest (e.g., musical theatre, devised theatre, classical theatre).
Professional Development:
Industry insights and career guidance.
Networking opportunities with industry professionals and past students.
Professional etiquette, self-promotion, and marketing.
Information on industry union membership, contracts, and rights as a professional performer.
Audition Preparation:
Audition techniques for theatre, film, and television.
Selection and preparation of audition material (monologues, scenes).
Auditions and feedback sessions.
Resume writing, headshot selection, and portfolio development.
NOTE: This syllabus provides a structured and comprehensive curriculum designed to prepare aspiring professionals for careers in
the theatre or film industry. It covers essential skills, knowledge, and experiences necessary for success as a professional actor or theatre
practitioner. Additionally, the syllabus may be tailored to the specific goals, interests, needs of individual students or duration of training programs.